By Dracul, by J.D. Barker and Dacre Stoker, is an instant classic, the best vampire novel I’ve read since Interview with the Vampire. Its premise is that in his youth, Bram Stoker, the author of Dracula, actually went toe-to-toe with the fiendish bloodsucker. The novel is genuinely scary, exciting and enriched by meticulous research that vividly recreates the 19th century Ireland of young Bram Stoker.
We first meet Bram as a chronically ill, bedridden lad in Dublin. He and his siblings are cared for by a peculiar young nanny named Ellen Crone, who keeps Bram alive by mysterious late-night ministrations. Bram and his spunky sister Matilda begin to investigate their enigmatic live-in servant, who is prone to dead-of-night outings and unexplained absences, but after a rash of brutal murders takes place nearby, Ellen abruptly vanishes. Years later, when Bram is 21, he, Matilda and their brother Thornley are forced to confront the evil that Ellen brought into their home and do battle with the undead.
BRAM STOKER, author of Dracula, suffered an unexplained illness as a boy.
Dacre Stoker, Bram’s great-grandnephew, has devoted more than a decade to researching his famous forebear. He travels the world giving presentations on the fascinating facts from he has gleaned from family documents, letters, journals and other sources. In Dacre’s research, he stumbled across an obscure Icelandic edition of Dracula that is quite different from the book we know. In its preface, Bram makes the astonishing claim that Dracula is not a work of fiction, but of fact. That intriguing suggestion fired up Dacre’s imagination. What if Dracula was intended as a warning to the world? Later, he and Barker got a rare glimpse at the original typescript of Dracula with markings and notes indicating that 102 pages had been cut from the opening of the manuscript. This material became fodder for their prequel.
Dacre Stoker with co-author J.D. Barker
I’ve had the pleasure of attending one of Dacre Stoker’s presentations on Bram, so it doesn’t surprise me that Dracul contains rich and accurate descriptions of the Stoker family members, their home and its surroundings. What I didn’t expect was an engaging mystery, which Bram and his siblings unravel, gradually learning Ellen’s true identity and motivations. One of the great delights of the book comes when we finally hear Ellen Crone’s back story, a tale within a tale that has the flavor of an Irish folktale. Plus, at the heart of the novel—and you’ll find this turns out to be literal—there is a grand love story that spans centuries. (And nope, it’s not Drac pining for a reincarnation of his lost love).
The book is faithful to Dracula, even borrowing the epistolary format much of the story told through the interwoven journals and letters of Bram and his siblings. A challenge of this approach is to make each character’s voice distinct. I’m not sure the authors entirely pull that off, but the writing is lovely, in the gothic style of the era in which the novel is set.
Whitby Abbey, on the Yorkshire coast, is a setting for a critical scene in Dracul.
The supernatural rules line up with vampire lore established in popular culture, yet the authors avoid the usual tropes. Startling visuals help the story feel fresh, for example, when Ellen descends deep into a bog under the moonlight or when a heart in a lab jar abruptly starts beating. Often, we’re baffled as to what is going on—in a good way. We have the same sense that we are dealing with the unfamiliar as did the earliest readers of Dracula. (“He’s scuttling down the castle wall like a spider? What the bloody hell?”) The authors also draw upon esoteric vampire lore that rarely shows up in movies. Most notably, the folkloric belief that suicides may return from the grave as vampires is put to good use.
Arminius Vambery is the “Van Helsing” of Dracul.
Bram and his siblings are aided by a seasoned supernatural sleuth, a worthy predecessor to Dr. Van Helsing yet a quite different type of man. The authors made the inspired choice of recruiting a real-life figure, Arminius Vámbéry, a Hungarian traveler, Turkologist and dabbler in the occult. A far cry from the priestly old Dr. Van Helsing, he is a member of the notorious Hellfire Club, a seeker of sensation and forbidden knowledge, not unlike Dorian Gray in TV’s Penny Dreadful. A man who has seen and done too many things.
World-traveler Vambery dons a Dervish outfit for one of his adventures.
Dacre Stoker’s previously co-authored Dracula: The Un-Dead, a sequel to Dracula. Though a highly entertaining novel, it was not as true to Bram’s creation as the current work. It presented Dracula as he likely saw himself: a romantic, misunderstood Byronic figure not unlike the dreamy hunk Frank Langella played in the 1979 movie.
In Dracul, this IS your great-granduncle’s Dracula. I believe that if Vlad the Impaler really were vampirized this is what he would be like: monstrously cruel and tyrannical. He is even more of a badass than in the original novel, inflicting a form of torture on one character that can only be described as epic. In Dracula, Bram only vaguely alludes to the historical 15th century Vlad Tepes, and we never learn exactly how Vlad went from warlord to vampire. In Dracul, the authors connect the dots in a plausible way.
Take-no-prisoners warlord Vlad the Impaler
Vampire fans will be thrilled by the many Easter eggs, such as scenes set at Whitby Abbey, a locale that featured prominently in Dracula. There is a cameo appearance by Joseph Sheridan Le Fanu, author of the classic vampire tale Carmilla. The climax of the novel takes place in a “city of the dead” in Germany populated entirely by vampires. Presumably this was inspired by the vampiric ghost town in Carl Theodor Dreyer’s 1932 German-language film Vampyr. (That movie, every bit as creepy as the silent film Nosferatu, was based on a story by Le Fanu, by the way.)
All in all, I give Dracul an enthusiastic five-stake rating.
THE final showdown in Dracul takes place in a city of the dead similar to the one in the 1932 film Vampyr.
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THRILLING NEW GRAPHIC NOVEL!
Vampires run amok in a women’s prison in the gorgeously illustrated, 80-page graphic novel Night Cage. When a newly made vampire is sentenced to an escape-proof, underground slammer, she quickly begins to spread the contagion.
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