AC/DC: Actresses Selma Blair and Sarah Michelle Gellar give bisexuality a shot in “Cruel Intentions.”
By C. Michael Forsyth
TRENTON, N.J. — Gay rights activists, family values crusaders and men’s organizations all see merit in a new form of therapy that trains teenage girls to be bisexual.
Known as Best of Both Worlds Therapy, the treatment takes girls leaning toward lesbianism, but still on the fence, and helps cement their orientation as bisexual instead.
Droves of psychologists have been taking seminars in the approach, in anticipation of a pending New Jersey law that would make it illegal for a licensed therapist to try to “convert” a gay minor to heterosexuality.
“Politics is all about compromise,” explains Ron Whulbred of the U.S. Association for Christian Values. “Of course, in a perfect world, we’d like every American girl to be a red-blooded heterosexual. But we’d certainly prefer her to be bisexual than all the way gay.”
Some gay rights groups, while still wary of Best of Both Worlds Therapy, see it as a vast improvement over Conversion Therapy, also known as “Reparative Therapy.” And even men’s organizations that are sometimes viewed as stuck in the 1970s when it comes to sexuality give a thumbs up to the 12-week program.
“It’s a win-win,” enthuses Rick Scraszholtz, president of Fairness for Men. “Every guy in America wishes his girlfriend was bi. Anyone who can convince thousands of teenage cheerleaders to swing both ways is doing a service to the whole male race.”
The therapy is aimed at “at risk” teens, girls who appear to be tomboys, eschew makeup, excel in traditionally lesbian sports such as softball or fixate on attractive female pop stars like Katy Perry.
“Typically you’ll have a girl of 16 or 17 who has had a boyfriend, then gets drunk at a party and starts kissing another female,” says therapist Dr. Herbert L. Pachivski. “She’ll panic and thinks she’s gay. Her distraught parents, often devoutly religious, will bring her in for counseling. Through talk therapy, I’ll show her that while, yes, she’s attracted to women, she’s probably bisexual, not a lesbian. The relief these girls feel is palpable.”
THREE’S COMPANY? Most men would love to have a girlfriend like smoking hot starlet Megan Fox, who is openly bisexual.
A California law signed by Gov. Jerry Brown last year put the kibosh on Conversion Therapy, branding efforts to flip homosexuals discredited “quackery” that could have a harmful impact on impressionable young gays. But a judge slapped an injunction on the law and as of last week, a federal appeals court in San Francisco was still hearing arguments about it. The New Jersey bill, which recently cleared a state senate panel, is also in jeopardy and some gay organizations consider Best of Both Worlds Therapy an acceptable compromise.
As one lesbian rights activist put it, “We’d rather have young women ‘batting for both teams’ than be strictly on the other side.”
But the innovative therapy has a handful of adamant critics in the LGBT community.
“This sounds to me a lot like certain anti-gay psychologists are trying to make an end run around the law,” declares openly gay journalist Genelle McAverbee. “You’re born either straight, gay or bisexual and nobody can change it, unless you go to prison or something like that.”
Copyright C. Michael Forsyth
If you enjoyed this mind-bending story by C. Michael Forsyth, check out his collection of bizarre news, available on Kindle and in other eBook formats.
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The author of this article penned Hour of the Beast, hailed by critics “a fast-paced, rip-snorting, sexy romp” and the “must-read book of the summer.” The book is available in hardcover and softcover at Amazon.com. But you can save $4 by clicking HERE! The Kindle version is just $7 and the eBbook is a measly $5. Be the first on your block to read this bone-chilling tale — before the movie comes out.
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RULE No. 1: Never visit a remote cabin with no cell phone reception. Rule No. 2: Never go in the basement. Curt (Chris Hemsworth) and his pals commit horror no-nos.
By C. Michael Forsyth
Ever wonder why characters in horror movies choose the worst possible time and place to have sex? Why they descend into the pitch-black basement of a house that’s obviously haunted? Split up so they can be picked off one by one? All these questions and just about every other you’ve asked yourself while munching popcorn are answered in The Cabin in the Woods.
Produced and co-written by Joss Whedon, creator of Buffy the Vampire Slayer, The Cabin in the Woods is a tour de force that works as a horror film, workplace comedy and genre-demolishing satire. It’s Westworld meets Wrong Turn meets Evil Dead, to mention just three of the innumerable movies to which it plays loving homage and/or gleefully skewers.
In the movie, five young college students fitting neatly into recognizable types vacation in an isolated cabin where horrific events begin to unfold. Unbeknownst to them, everything is being orchestrated by a cadre of puppet masters in a vast underground complex. The staff includes managers, technicians, accountants, maintenance workers and even geeky interns. (I don’t consider all this a spoiler since it’s revealed within the first three minutes — if you didn’t already figure it out from the trailer).
MONSTERS, INC. Horror is all in a day's work for company guys and gal Richard Jenkins, Amy Acker & Bradley Whitford.
The film derives much of its humor from the high jinks of these Dilbert-type drones. At one point, the bored-out-of-their-skulls staffers organize a betting pool on what horror the hapless vacationers will face first. En route to the cabin, the students ignore the cryptic warnings of a creepy old gas station attendant. When the guy later calls in to report, the staff puts him on speaker phone and giggle as he continues to drone on ominously.
WHO watches the watchers? Holden (Jesse Williams) happens upon a one-way mirror as Dana AKA The Virgin (Kristen Connolly) strips.
The concept is thought-provoking. What we generally think of as stereotypes – the Virgin, the Whore, the Jock, the Brain, the Comic Relief — are elevated to archetypes. It’s the best deconstruction of the horror genre since Scream, on a level that would impress Bruno Bettleheim, the celebrated analyst of fairytales.
RULE No. 3: Never allow yourself to be trapped in a siege situation.
Some critics describe the movie as an allegory for the process of filmmaking itself. How can you argue? The staffers even call their mysterious boss “The Director.” Beneath that layer of meaning, there’s also a wry commentary about our surveillance society. Marty, the wisecracking pothead paranoiac and “The Fool” of the group, points out that “Society isn’t falling apart, it’s coming together.” As he puts it, the “cracks are filling in” as technology devours privacy and living off the grid becomes increasingly impossible.
DUMBED DOWN: Jules (Anna Hutchinson) shows poor judgement after going blonde.
Tropes of the horror genre are simultaneously observed and lampooned. Sexy pre-med student Jules (Anna Hutchison) has just dyed her hair blonde when the story begins and it’s later revealed that a chemical secretly placed in the dye makes Jules, AKA “The Whore” act stupid.
While not likely to make you quiver in fear, the movie meets the basic requirements of a horror film: Suspense, characters you root for, formidable dangers and enough gore to satisfy fans of traditional horror flicks.
POTHEAD Marty (Fran Kranz) wields an unlikely weapon.
Brawny Chris Hemsworth (Thor in The Avengers) delivers a winning performance as Curt, the brave Jock. Fran Kranz earns plenty of chuckles as Marty, the Fool. He fills the position Shaggy did in Scooby Doo and looks the part as well. But the real stars here are Bradley Whitford and Richard Jenkins as the world-weary managers of the operation. Whitford, best known for his role as White House Deputy Chief of Staff Josh Lyman on TV’s The West Wing sends up his in-control, seen-it-all image with obvious relish. And Jenkins, looking like a worn-out NASA engineer, is even more droll and cynical than he was as the disembodied dad in HBO’s Six Feet Under.
The climax of the film is in keeping with its blend of humor and horror — way, way over the top, in a good way.
SPEAKING OF JOSS WHEDON…
HORROR and comedy were perfectly blended in Joss Whedon's TV series "Buffy the Vampire Slayer."
No one mixes comedy and horror better than Joss Whedon, as I’m learning right now as I watch TV’s Buffy the Vampire Slayer for the first time on Netflix. Somehow I managed to miss the series when it debuted in the late ’90s. I’m blown away by how good it is – one of the handful of TV series, along with Highlander, that is far superior to the film that inspired it.
The playfulness is pure joy. In the episode I saw last night, Xander believes Willow has turned into a vampire and thrusts a crucifix in her face. When she fails to recoil, he shakes it like a flashlight that might need its batteries jiggled.
WHEN Angel was good he was good and when he was bad, he was very, very bad.
But drama is equally well handled. The brilliant storytelling is displayed when Buffy loses her virginity to good-guy vampire Angel. Following convention, love might cure him of vampirism. Instead, in an inversion of Beauty and the Beast, he becomes evil, his soul ejected from his body. In the hands of a less talented writer, the next scene would be Angel bursting into Buffy’s room, fangs bared. Instead he simply acts like a jerk, humiliating her by showing her the night of passion meant nothing to him. Far more sadistic. And, since this is an experience many a young woman will recognize, it helps to ground the series in reality, keeping it a coming of age story as well as a butt-kicking action/adventure show. The more you watch Buffy, the worse
Twilight looks by comparison.
The intensely dramatic and horrific is always leavened by wit. In the episode in which fellow vampire slayer Kendra dies tragically she first gives Buffy her “lucky stake” — which she has nicknamed “Mr. Pointy.” In the same episode Buffy’s watcher Giles sheepishly admits that he’s been using the crystal orb that can restore Angel’s soul as a paperweight.
BOYFRIEND PROBLEMS weren't the only things Buffy (Sarah Michelle Gellar) had to worry about.
I’m only midway through Season 3 and have already met so many wonderful characters, most memorably Spike, the cockney vampire with the Billy Idol hair and penchant for puppy love. By turns terrifying and laughable, James Marsters is absolutely magnetic in the role. (He won the poll of Sexiest Male Screen Vampire on this site by a landslide). Speaking recently to a publisher who uses Marsters for a lot of audio books, I was surprised to learn the star isn’t even English!
Spike (James Marsters) is the bloodsucking blond British punk you love to hate in "Buffy the Vampire Slayer."
I love how characters are allowed to evolve. A pitfall of many series is that characters remain exactly as originally written and are unaffected by the events that befall them. Most infamously Dana Scully in X Files, who is skeptical of werewolves even after battling vampires.
DROPPING his English reserve, Giles became a father figure to Buffy.
Buffy’s mentor Rupert Giles (Anthony Head) could have been a thankless role: a character like Bosley in
Charlie’s Angels who does little more than provide exposition then step out of the way to let the girls swing into action. Instead, he develops a tender father-daughter relationship with Buffy that is the backbone of the series. He’s allowed to have romances. And the shy British librarian is not above opening a jar of good old English whup ass to save Buffy’s bum from time to time.
ANY role in which you get to wear an eye patch ain't all bad. Nicholas Brendon as Xander.
In fact there are no thankless roles in Whedon’s world. Xander, initially merely a goofball, becomes an increasingly heroic figure, always willing to charge into battle though lacking any special powers. This “geek” eventually gets to kiss almost every girl on the show. Wesley Wyndham-Pryce (Alexis Denisof), who briefly assumes the role of Buffy’s watcher and is even stuffier than Giles, is insufferable. And rich-bitch Cordelia is intractably airheaded. Yet even they get a chance to evolve into heroes themselves in the Buffy spinoff Angel.
ANNOYING Wesley and Cordelia developed into interesting characters in the spin-off series Angel.
Though the show premiered nearly 15 years ago, it doesn’t seem dated – you barely notice that the teens don’t text. Some aspects of high school are universal. You will always have good girls, snobs, class clowns and nerds. As in Cabin in the Woods, there are some archetypes that just don’t die. Or sometimes die violently.
Copyright C. Michael Forsyth
C. Michael Forsyth, the author of this article, has written a critically acclaimed horror novel Hour of the Beast. Plans for a major motion picture are now in the works!
To check out Hour of the Beast visit Amazon.com or save $4 by clicking HERE. The Kindle version is just $7 and the eBook is a mere $5.
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